Imparfait Le sous
Les imperfections peuvent inclure des glaçures inégales, des bulles d'air, des transferts de couleur inattendus, de légers éclats et des fissures. L'image ne montre qu'une version « parfaite ».
This piece's sculptural form reflects a conceptual, theme-based approach, which stands in stark contrast to the classical rules of decoration that pervade traditional ceramics. The flowing contours of the piece reference the way drapery has been used by painters to convey movement since the Renaissance.
The piece is thoughtfully handcrafted. It has a width of 12cm and a depth of 10.5cm at it's widest and deepest points. It has a smooth surface.
Source Material: Goya / da Vinci / Georges Perec, La Vie mode d'emploi (Paris: Hachette, 1978) / Georges Perec, Species of Spaces and Other Pieces (London, Penguin Classic, 1998)
Background noise: While this collection was in development we may or may not have been influenced by the following experiences: [01] Watching all of the films of Kore-eda Hirokazu available on DVD in the UK. [02] Listening to Philip Glass - mainly Einstein on the Beach and Metamorphosis [03] Two visits to Gormley at the Royal Academy (one with children)
